Wednesday, January 07, 2009
Meanwhile, the Arab world is debating who is to blame. The international community is keeping mum. Washington continues to cheer the killer fighter jets. They were made in the US, after all. And all Ban Ki-moon has to say is that he is "deeply concerned". We know the US will not allow the Security Council to act before Israel completes "the mission". But the UN Secretary-General should have the courage to say that.
And what about the Quartet Middle East envoy, one Tony Blair? He is doing nothing.
He believes that closing the tunnels - Gaza's lifeline through which food and medical supplies are smuggled into the area during more than a year of a crippling blockade - is "the key" to ending the Israeli invasion. He must have thought real hard about this.
Shame on you. All of you. Shame on the US. Shame of the UN. Shame on those who support what the Israelis are doing. Shame on those who are against it but are keeping silent. Shame on an Arab order that allows Israel to butcher hundreds of Arab children every couple of years.
More than 45 killed in strike on Gaza school
660 Palestinians, including 215 children, killed so far as Israel targets UN schools.
Muslim communities united by Israel's brutal onslaught
Gaza children pay the price
The world has betrayed Gaza's children
It is unbelievable that after 11 days of slaughtering the children of Gaza, the world has yet to decide if it is going to call on Israel to stop its savage offensive.
It is unbelievable that hundreds of children are being butchered with US-made Israeli weapons and the so-called Big Powers have yet to urge Israel to stop the war. It is unbelievable that Arab leaders cannot agree to meet to offer even the usual lip service to the people of Gaza.
A Gaza resident recounts her experience of living through Israeli air strikes
Eye-witness account from Gaza City: Morgues overflow with bodies
Arab silence on Gaza is shameful
By Khalaf Al Habtoor, Special to Gulf News
Published: January 06, 2009, 23:58
The terrible carnage inflicted upon a starving people caged in the dark is too much to bear for anyone with eyes to see and a heart that beats. This unfolding crime against humanity must be stopped else we should merely throw up our hands in despair and submit to the principle of 'might is right'.
Journey to Mecca, an ultra-high-definition Imax film that was four years in the making, will premiere at the Emirates Palace in Abu Dhabi tonight. The brainchild of the New York-based producers Dominic Cunningham-Reid and Taran Davies (known collectively as Cosmic Picture), the 45-minute docudrama follows Ibn Battuta’s route, from his native Morocco to Mecca, Saudi Arabia.
It was shot in the two countries and brought together a crew from more than 25 nations.
The film’s centrepiece is the first-ever Imax footage of the modern-day haj, which is intercut with a recreation of the scene in Battuta’s day. Filming at the 2007 pilgrimage was a feat that required the producers to spend more than two years living in Saudi Arabia, attempting to obtain permission to film the holy ritual.
With the film now finished and ready to be shown, the producers admit that when they took on the challenge, they were almost setting out to achieve the impossible.Taran Davies, the CEO of Cosmic Picture, says: “The team included some of the top veterans in Imax filmmaking, and also lots of people who were new to it needing training. To a certain extent, it seemed to be out of our hands.”
After years of planning, Cunningham-Reid says that he remembers the exact moment when he realised the shoot had been a success.
“It was very moving. I remember when our helicopter took off over the haj towards Mount Arafat and it was close to sunset. That was a particularly meaningful moment for me.
“I’m not sure that I would draw those comparisons personally,” says Cunningham-Reid, modestly. “It was just like everything in life – all good things come to those who wait. By the time we did get to filming in Mecca, I had gained an enormous amount of respect that I might not have had otherwise. I understood the sense of gravitas and importance of the haj.”
“If anyone embodies the spirit of Ibn Battuta, it was our lead actor Chems,” says Davies. “In one of the interviews he did, he said to the camera that it wasn’t that he had to act like Ibn Battuta – it was as if Battuta had planted himself within him.
“Of course his death was and still is devastating to all of the production team on a personal level, because he was such a great light and a talent,” Davies says. “We hope that the film is great enough that it will do him justice and honour him. One of Chems’ concerns was trying to bridge understanding between cultures, and that is a central message in this film.”
Although Cosmic Picture nurtured the project from infancy, there were several other parties that helped bring it to maturity. The Canadian company SK Films co-produced and released the film in association with National Geographic. The Kuwait-based Desert Door Productions also played an integral role in bringing Battuta’s story to life. It is being presented in the UAE by Imagenation Abu Dhabi, a part of the Abu Dhabi Media Company, the owners of The National.
The result was a collaborative effort between western and eastern filmmakers and was shot and edited with both Arabic and English-language versions. The Arabic version is voiced by the acclaimed Syrian actor Abdul Rahman al Rashi, while the English film is narrated by Sir Ben Kingsley.Dima al Ansari, of Desert Door Productions, and co-producer of the film, was in Morocco for the filming there. As well as her official production duties, she was quickly called upon to be a translator and cultural liaison.
“We didn’t want things to be misunderstood. There needed to be a specific understanding of both languages so that things wouldn’t be lost in translation and so the actors understood exactly what everything meant,” she says.
“The non-Arab producers needed to know exactly why certain things were important in an Islamic sense. That could meant two days of fighting over a small detail.”
The film was not just designed to appeal to both Arabic and English speakers. It was the filmmakers’ intention to create a piece of work that would enlighten those from other faiths about the Islamic pilgrimage and also the story of Ibn Battuta.
“We set out to show this side of the world to the international community,” says Al Ansari.
“Battuta loved people and travelling. He threw down the walls between West and East and that is something we are trying hard to do even now,” she says. “Even back then in the 14th century, we had a Muslim traveller who believed in these things. We don’t have to look far into our history to show that we can be lovers of other cultures and other ways of life.”